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Visual Representations of the Third Plague Pandemic collects and analyses photographs as well as other visual documents of the third plague pandemic, which broke out in 1855 in Southwest China (Yunnan) and raged across the globe until 1959, causing the death of approximately 12 million people.

As Yersinia pestis spread from country to country and from continent to continent, it left behind it not only a trail of death and terror, but also a growing visual archive on the first global pandemic to be captured by the photographic lens. Rather however than forming a homogeneous or linear visual narrative, these photographic documents provided diverging perspectives on the pandemic, which, more often than not, were not simply different from region to region, but in fact conflicting within any single locus of infection.

The project’s hypothesis is that its visual representation played a pivotal role in the formation of both scientific understandings and public perception of infectious disease epidemics in the modern era.

While investigating the visual record of the third plague pandemic in East Asia, South Asia, Africa and the Americas, researchers will engage in a collaborative and interdisciplinary analysis of the entangled history of the visual representation of the pandemic, taking as a common analytical ground four different but vitally interlinked aspects of the visual representation of the pandemic:

  • The Built Environment
  • Civil Disturbance and Public Order
  • Death, Corpses and Burial
  • Race, Class and Discrimination

 

About Visual Representations of the Third Plague Pandemic

Project website
https://visualplague.wordpress.com/

Project team
Christos Lynteris, PI
Lukas Engelmann, Researcher
Nicholas Evans, Researcher
Branwyn Poleykett, Researcher
Maurits Meerwijk, Researcher
Abhijit Sarkar, Researcher

Research phases
October 2013–September 2018

Funder(s)
European Research Council

Partner(s)
CRASSH

DH themes
Visualisation

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