Amy Tobin is a Lecturer in the Department of History of Art, University of Cambridge and Curator, Contemporary Programmes at Kettle’s Yard. Her research concerns art and feminism from the 1970s to the present, and particularly how art historical methodologies can account for groups, collectivity, collaboration and discord. She has published her research in Tate Papers, MIRAJ, Women: A Cultural Review and Feminist Review, along with books chapters in numerous edited books. She is the co-editor of London Art Worlds: Mobile, Contingent and Ephemeral Networks 1960–1980 (Penn State University Press, 2018) with Jo Applin and Catherine Spencer and The Art of Feminism (Chronicle and Tate, 2018) with Lucy Gosling, Helena Reckitt and Hilary Robinson.
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