After receiving a bachelor’s degree in Art History and Art Administration from Renmin University of China, I became interested in the critical theory of emerging digitisation trends within museums and galleries. Specifically, I will focus on how museums engage with decolonisation through digital and artistic practices. Related to this, I am also concerned with the critical analysis of media art and popular culture in the digital age.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.