|14 Jun 2018||11:30 - 15:30||S1, Alison Richard Building|
This public workshop will mark the end of the 2018 programme of Machine Reading the Archive, a digital methods development programme organised by Cambridge Digital Humanities with the support of the Isaac Newton Trust and the Researcher Development Fund.
It will showcase the digital archive projects created by our cohort of project participants as well as invited contributions from leading experts in the field.
Keynote address: Dr Helle Strandgaard JensenDissecting the Digital Archive. Archival literacy and digital scholarship in the 21st century.
Since the nineteenth century public archives have been key to the ways in which historians produce knowledge of the past. But what do historians and other humanities scholars know about the economic and technical structures of the digital archives where they increasingly find their sources? And how might historians’ obsession with analogue archives help us understand digital archives’ influence on research in the humanities today? With digitisation becoming a top priority amongst leading libraries, archives, and other heritage institutions in Europe these are pertinent questions. In my talk I will argue why humanities scholars need new methodological and theoretical frameworks to help them investigate how increased use of digital archives influence their research.
Dr. Helle Strandgaard Jensen is Associate Professor in Contemporary Cultural History, Department of History and Classical Studies, Aarhus University
Pre-registration is essential: please book here
A sandwich lunch will be provided – please email Michelle Maciejewska (firstname.lastname@example.org) by 6 June if you have any special dietary requirement.
About Machine Reading the Archive
Machine Reading the Archive aims to bring humanities researchers, archivists and computer scientists together to explore the challenges of working with archives in the digital age. Through a series of reading group sessions, practical workshops, technical demonstrations, field trips and a one day end-of-programme workshop, we hope to seed new collaborations and encourage the exchange of ideas and practices across professions and disciplines. The programme is born out of a recognition that the practice of making, curating and using archives has been changed by the adoption of digital technologies, at both an institutional and individual level.
Archives and library special collections are developing new roles as platforms for different kinds of data, held in a variety of formats from xml, to pdfs and tiffs, rather than physical containers for people, books and documents. Many researchers return from visits to the archive (or the archive’s website) having filled hard drives with collections of digital photographs of rare books, documents, manuscripts, maps, pictures and objects of scholarly interest whose fragility and immobility required the production of a digital copy. The digital archive thus seeds new private sub-collections on researchers’ laptops and tablets, at times a promising and overwhelmingly rich resources and at other times remaining invisible and inaccessible; while growing in scale and complexity over the trajectory of a scholarly life.
The primary aim of Machine Reading the Archive is to help participants develop a deeper understanding of the challenges and possibilities of working with archival data in the digital age, drawing on theory, methods and practice from the humanities, computer science and the archival profession. The program provides a chance to develop skills to engage with existing digital archives in new ways, to turn a cluttered hard drive of archival photographs into a refined dataset or to embark on the mission of text-mining to reveal new aspects in existing research or lay the groundwork for prospective projects. In addition to providing participants the chance to learn practical skills and experiment with digital methods using their own or provided datasets, the framework of the course is designed to ignite reflection on the significance of the ways private and institutional digital archives are sorted, structured and accessed and to discuss how these insular knowledge infrastructures impact and influence writing, thinking and the development of research projects.